Monday, 18 September 2017

A is for apple

I've gone a bit apple-mad. The ex-psychiatric hospital nearby has an orchard full of apples (and I mean full!) but of course it is an ex-hospital so the grounds are pretty much places in waiting... and so the apples are too. For the last few years that orchard has worn a carpet of apples for much of the fall season and it's pretty sad, I think, when food costs so much and we all seem to talk about healthy eating all the time. We went and picked a bag full yesterday (we all have permission, I emailed the current landowners to check... ) and I am telling everyone I can think of to try to keep the rotting to a minimum. I suppose this is partly because I was brought up by a mother who'd lived through WW2 and so I hate food waste (though I think most of us do really). There are issues of course... some of the trees are very tall and quite old... and everyone is busy... but I'm hopeful.

And lo, an apple poem (title connected to my late arrival at Instagram... I like to try most things... just not always at the same time as everyone else...). 


Dream, if you must, of apples.
Check the ground first,
Flatten nettles,
Clear the rotten windfall.

Then head up high
To the happy bounty,
Ripe clumps of life,
Calling out to be pie.

There’s no finer sight;
Than apples above,
The pound in your heart,
A red and green beat.

Preserve if you can,
Keep the taste fresh,
Make the good cake,
And save the picture.

RF 2017

Tuesday, 12 September 2017


I saw Chris Wood play live in Glasgow in January 2016 and can't recommend his live shows enough (he's touring this year too - see here). The song above was written about his daughter leaving for college or some such... but even if that isn't a situation you know it is still a beautiful song about love.  He has some very political songs too - all the usual weapons of a good folk singer - and he plays and sings really well. Proper makes your heart sing, he does. 

Friday, 1 September 2017


Picture of the girls of the house

Still not much writing business to report here. Mostly I've been hanging out with these two. Well, look at them ‒ wouldn't you? I don't often post photos of the daughter on here but it's a lovely one and I thought you might like it (it's not staged). Some regular readers will feel like you know her I am sure (internet family and all that). 

There is some almost writing news though as I will be heading to the Auchmithie Arts Festival on 9th and 10th September (11-5 on Saturday, 12-5 on Sunday). The artist who did the cover artwork for both my books (Steph Masterson) is opening her house as part of the festival (along with her artist husband Scott Henriksen). There isn't a website for the festival but there is facebook page for it. I will be selling books at Steph's (venue 5) and generally hanging around. It is always a lovely day out (16 art venues, tearoom in the village hall, beautiful setting).

I've not even been writing the little Twitter poems recently (that has been this summer's, post-pamphlet poetic activity). Then today a little one arrived (here) probably because I've had contact with quite a few old friends this summer. It's such a strange business (lovely in the main part but strange for all the memories it stirs up). I tend to have an overwhelming feeling of gratitude around this kind of thing ‒ I just feel so pleased (and amazed in some cases) that we've made it this far. Is it a poet thing to be so obsessed with the possibility and probability of death? Or a child of a suicide thing? Or just a human thing? Or is it just because I read the news (more than some, not as much as others)? Or because this was one of my favourite songs in childhood (it came out the year my Dad died, as it happens...)?

Anyway, after a busy week I had a little quiet time this morning and listened to Robert Webb's much-publicised 'How Not to Be a Boy' (Book of the Week on the radio). It is sometimes frustrating for non-celebrity writers when famous people's books get a lot of hype but this one is published by Canongate (Scottish, love them...) and I did really enjoy his reading (though bits are super sad ‒ more death of course...). There were some pretty perfect sentences in amongst it all. I especially liked his description of his academic position at the age of about 11 ("the disappointing end of clever or the hopeful side of dim") and this sentiment from (I think) the last of the 5 episodes "those of us who are loved have no excuse". I read a lot of work by and/or about people who weren't loved much early in life and think about this kind of thing a great deal (for one reason or another). And his is an interesting addition to such thoughts... and it could easily have been part of a poem (Larkin maybe). Poetry is everywhere... whether you want it or not!